{"id":139,"date":"2010-04-14T09:33:53","date_gmt":"2010-04-14T06:33:53","guid":{"rendered":"https:\/\/musicing.gr\/?page_id=139"},"modified":"2015-05-16T16:53:46","modified_gmt":"2015-05-16T13:53:46","slug":"%ce%b2%ce%b9%ce%b2%ce%bb%ce%b9%ce%bf%ce%b8%ce%ae%ce%ba%ce%b7-2","status":"publish","type":"page","link":"https:\/\/musicing.gr\/?page_id=139","title":{"rendered":"\u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7"},"content":{"rendered":"

\u03a4\u03b1 \u03c0\u03b1\u03c1\u03b1\u03ba\u03ac\u03c4\u03c9 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03bc\u03c0\u03bf\u03c1\u03b5\u03af\u03c4\u03b5 \u03bd\u03b1 \u03b2\u03c1\u03b5\u03af\u03c4\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7 \u03bc\u03b1\u03c2:<\/strong><\/p>\n

\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1<\/strong> <\/strong><\/h2>\n
    \n
  • (2002-2003) \u039f\u03b4\u03b7\u03b3\u03cc\u03c2 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7\u03c2 \u0398\u03b5\u03c1\u03b1\u03c0\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 (\u0395\u03c4\u03ae\u03c3\u03b9\u03b1 \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7 \u03b3\u03b9\u03b1 \u03c4\u03b9\u03c2 \u03ae\u03c0\u03b9\u03b5\u03c2 \u03b5\u03bd\u03b1\u03bb\u03bb\u03b1\u03ba\u03c4\u03b9\u03ba\u03ad\u03c2 \u03c3\u03c5\u03bc\u03c0\u03bb\u03b7\u03c1\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b5\u03c2, Medicum.<\/li>\n
  • ADORNO, TH. (2000) \u0391\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae \u03b8\u03b5\u03c9\u03c1\u03af\u03b1, \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1.<\/li>\n
  • APPLETON, R. et al. (1998) \u0395\u03c0\u03b9\u03bb\u03b7\u03c8\u03af\u03b1, \u0392\u03b1\u03b3\u03b9\u03bf\u03bd\u03ac\u03ba\u03b7\u03c2<\/li>\n
  • BEAN, J. & OLDFIELD, A. (2006) \u039c\u03b1\u03b3\u03b9\u03ba\u03cc\u03c2 \u0391\u03c5\u03bb\u03cc\u03c2 \u2013\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ad\u03c2 \u03b4\u03c1\u03b1\u03c3\u03c4\u03b7\u03c1\u03b9\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03b1\u03bd\u03ac\u03c0\u03c4\u03c5\u03be\u03b7 \u03b2\u03b1\u03c3\u03b9\u03ba\u03ce\u03bd \u03b4\u03b5\u03be\u03b9\u03bf\u03c4\u03ae\u03c4\u03c9\u03bd, \u039d\u03ae\u03c3\u03bf\u03c2<\/li>\n
  • BINNIKOT, N. (1979) To \u03c0\u03b1\u03b9\u03b4\u03af, \u03c4\u03bf \u03c0\u03b1\u03b9\u03c7\u03bd\u03af\u03b4\u03b9 \u03ba\u03b1\u03b9 \u03b7 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1, \u039a\u03b1\u03c3\u03c4\u03b1\u03bd\u03b9\u03ce\u03c4\u03b7.<\/li>\n
  • BURNS, Y. & GUNN, P. (1997) \u0395\u03ba\u03c0\u03b1\u03af\u03b4\u03b5\u03c5\u03c3\u03b7 \u03b1\u03c4\u03cc\u03bc\u03c9\u03bd \u03bc\u03b5 \u03c3\u03cd\u03bd\u03b4\u03c1\u03bf\u03bc\u03bf \u039d\u03c4\u03ac\u03bf\u03c5\u03bd, \u0388\u03bb\u03bb\u03b7\u03bd.<\/li>\n
  • CATTANACH, A. (2003) \u0398\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1 \u03bc\u03ad\u03c3\u03c9 \u03c4\u03bf\u03c5 \u03c0\u03b1\u03b9\u03c7\u03bd\u03b9\u03b4\u03b9\u03bf\u03cd, \u03a3\u03b1\u03b2\u03b2\u03ac\u03bb\u03b1\u03c2.<\/li>\n
  • HANSLICH, E. (2003) \u0393\u03b9\u03b1 \u03c4\u03bf \u03c9\u03c1\u03b1\u03af\u03bf \u03c3\u03c4\u03b7 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae, \u0395\u03be\u03ac\u03bd\u03c4\u03b1\u03c2-\u039d\u03ae\u03bc\u03b1\u03c4\u03b1.<\/li>\n
  • MCCLELLAN, R. (1997) \u039f\u03b9 \u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03c5\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b4\u03c5\u03bd\u03ac\u03bc\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2-\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1, \u0398\u03b5\u03c9\u03c1\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ae, Fagotto.<\/li>\n
  • MORENO, J. (2006) \u0395\u03c1\u03bc\u03b7\u03bd\u03b5\u03cd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b7\u03bd \u03b5\u03c3\u03c9\u03c4\u03b5\u03c1\u03b9\u03ba\u03ae \u03bc\u03b1\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u2013 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a8\u03c5\u03c7\u03cc\u03b4\u03c1\u03b1\u03bc\u03b1, \u03a0\u03c1\u03af\u03bd\u03bf\u03c2.<\/li>\n
  • NEUBECHER, A. J. (1986) \u0397 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u0391\u03c1\u03c7\u03b1\u03af\u03b1 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, \u039f\u03b4\u03c5\u03c3\u03c3\u03ad\u03b1\u03c2.<\/li>\n
  • UMBERTO, E. (1994) \u03a0\u03ce\u03c2 \u03b3\u03af\u03bd\u03b5\u03c4\u03b1\u03b9 \u03bc\u03b9\u03b1 \u03b4\u03b9\u03c0\u03bb\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1, \u039d\u03ae\u03c3\u03bf\u03c2.<\/li>\n
  • YALOM, I. (2003) \u0398\u03c1\u03b7\u03c3\u03ba\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a8\u03c5\u03c7\u03b9\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae, \u0386\u03b3\u03c1\u03b1.<\/li>\n
  • \u0391\u039d\u0394\u03a1\u039f\u03a5\u03a4\u03a3\u039f\u03a3, \u03a0. (1995) \u039c\u03ad\u03b8\u03bf\u03b4\u03bf\u03b9 \u03b4\u03b9\u03b4\u03b1\u03c3\u03ba\u03b1\u03bb\u03af\u03b1\u03c2 \u03c4\u03b7\u03c2 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2-\u03a0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03b8\u03b5\u03ce\u03c1\u03b7\u03c3\u03b7 \u03c4\u03c9\u03bd \u03bc\u03b5\u03b8\u03cc\u03b4\u03c9\u03bd Orff \u03ba\u03b1\u03b9 Dalcroze, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395.<\/li>\n
  • \u0392\u0391\u03a3\u0399\u039b\u0391\u03a4\u039f\u03a5-\u039a\u039f\u03a3\u039c\u0399\u0394\u0397, \u0395. \u03b5\u03c0\u03b9\u03bc. (2006) 5\u03bf \u03a3\u03b5\u03bc\u03b9\u03bd\u03ac\u03c1\u03b9\u03bf \u03bc\u03b5 \u03b8\u03ad\u03bc\u03b1:\u03a8\u03c5\u03c7\u03bf\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03b9\u03ba\u03ae \u03c3\u03c4\u03ae\u03c1\u03b9\u03be\u03b7 \u03c4\u03bf\u03c5 \u03c0\u03b1\u03b9\u03b4\u03b9\u03bf\u03cd \u03bc\u03b5 \u03ba\u03b1\u03c1\u03ba\u03af\u03bd\u03bf \u03ba\u03b1\u03b9 \u03c4\u03b7\u03c2 \u03bf\u03b9\u03ba\u03bf\u03b3\u03ad\u03bd\u03b5\u03b9\u03ac \u03c4\u03bf\u03c5. \u03a4\u03cc\u03bc\u03bf\u03c2 \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ce\u03bd, \u039f\u03b3\u03ba\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03cc \u03a4\u03bc\u03ae\u03bc\u03b1 \u039d\u03bf\u03c3\u03bf\u03ba\u03bf\u03bc\u03b5\u03af\u03bf\u03c5 \u03a0\u03ac\u03b9\u03b4\u03c9\u03bd \u0391\u03b3\u03bb\u03b1\u0390\u03b1 \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03bf\u03cd.<\/li>\n
  • \u0392\u039f\u03a3\u039d\u0399\u0391\u0394\u039f\u03a5, \u03a3. (1994) \u03a3\u03ba\u03ad\u03c8\u03b7, Gutenberg.<\/li>\n
  • \u0392\u039f\u03a3\u039d\u0399\u0391\u0394\u039f\u03a5, \u03a3. (1995) \u0397 \u03c8\u03c5\u03c7\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c4\u03c9\u03bd \u039c\u03b1\u03b8\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u03ce\u03bd, Gutenberg.<\/li>\n
  • \u0393\u0395\u03a1\u039f\u039d\u03a4\u0391\u03a3, \u0394. (2003) \u0397 \u03b9\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03a4\u03ad\u03c7\u03bd\u03b7\u03c2, \u0392\u03ae\u03c4\u03b1.<\/li>\n
  • \u0394\u03a1\u0399\u03a4\u03a3\u0391\u03a3, \u0398. (2003) \u0397 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c9\u03c2 \u03c6\u03ac\u03c1\u03bc\u03b1\u03ba\u03bf, Info Health.<\/li>\n
  • \u0394\u03a1\u0399\u03a4\u03a3\u0391\u03a3, \u0398. \u03b5\u03c0\u03b9\u03bc. (2004) \u0397 \u03a4\u03ad\u03c7\u03bd\u03b7 \u03c9\u03c2 \u03bc\u03ad\u03c3\u03bf \u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03b3\u03c9\u03b3\u03ae\u03c2, \u0395\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7\u03c2 \u039a\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1<\/li>\n
  • \u0395\u0398\u039d\u0399\u039a\u039f \u0399\u0394\u03a1\u03a5\u039c\u0391 \u0395\u03a1\u0395\u03a5\u039d\u03a9\u039d (2003) \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03ba\u03b9\u03bd\u03b7\u03c4\u03b9\u03ba\u03ac \u03b4\u03c1\u03ce\u03bc\u03b5\u03bd\u03b1 \u03c9\u03c2 \u03bc\u03ad\u03c3\u03bf\u03bd \u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03b1\u03b3\u03c9\u03b3\u03ae\u03c2, \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u038a\u03b4\u03c1\u03c5\u03bc\u03b1 \u0395\u03c1\u03b5\u03c5\u03bd\u03ce\u03bd<\/li>\n
  • \u0395\u039a\u039c\u0395\u03a4\u0396\u039f\u0393\u039b\u039f\u03a5, \u0399. & \u0391\u0394\u0391\u039c\u039f\u03a0\u039f\u03a5\u039b\u039f\u03a5, \u03a7. \u03b5\u03c0\u03b9\u03bc. (2006), \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u03ac\u03bb\u03bb\u03b5\u03c2 \u03c0\u03c1\u03bf\u03c3\u03b5\u03b3\u03b3\u03af\u03c3\u03b5\u03b9\u03c2 \u03b3\u03b9\u03b1 \u03c0\u03b1\u03b9\u03b4\u03b9\u03ac \u03ba\u03b1\u03b9 \u03bd\u03ad\u03bf\u03c5\u03c2 \u03bc\u03b5 \u03b1\u03bd\u03b1\u03c0\u03b7\u03c1\u03af\u03b1, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395.<\/li>\n
  • \u0395\u039b\u03a8\u0395, (2005) 10\u03bf \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf \u03a8\u03c5\u03c7\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03ae\u03c2 \u0388\u03c1\u03b5\u03c5\u03bd\u03b1\u03c2- \u0397 \u03a8\u03c5\u03c7\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03b1\u03c0\u03ad\u03bd\u03b1\u03bd\u03c4\u03b9 \u03c3\u03c4\u03b9\u03c2 \u03c0\u03c1\u03bf(\u03c3)\u03ba\u03bb\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u03c3\u03ae\u03bc\u03b5\u03c1\u03b1, \u0395\u039b\u03a8\u0395<\/li>\n
  • \u0395\u03a5\u0394\u039f\u039a\u0399\u039c\u039f\u03a5-\u03a0\u0391\u03a0\u0391\u0393\u0395\u03a9\u03a1\u0393\u0399\u039f\u03a5, \u03a1. (1999) \u0394\u03c1\u03b1\u03bc\u03b1\u03c4\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1-\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1, \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u0393\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03b1.<\/li>\n
  • \u039c\u0391\u039a\u03a1\u0397\u03a3, \u0399. & \u039c\u0391\u039a\u03a1\u0397, \u0394. (2003) \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b7 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1, \u0393\u03c1\u03b7\u03b3\u03cc\u03c1\u03b7\u03c2.<\/li>\n
  • \u039c\u0391\u03a4\u03a3\u0391 , \u039a. (2001) \u03a8\u03ac\u03be\u03b1\u03bc\u03b5 \u03b1\u03bd\u03b8\u03c1\u03ce\u03c0\u03bf\u03c5\u03c2 \u03ba\u03b1\u03b9 \u03b2\u03c1\u03ae\u03ba\u03b1\u03bc\u03b5 \u03c3\u03ba\u03b9\u03ad\u03c2, \u0386\u03b3\u03c1\u03b1.<\/li>\n
  • \u039c\u03a0\u039b\u0391\u039a\u0399\u039d\u0393\u039a, \u03a4\u0396. (1981) \u0397 \u03ad\u03ba\u03c6\u03c1\u03b1\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03b1\u03bd\u03b8\u03c1\u03ce\u03c0\u03b9\u03bd\u03b7\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2, \u039d\u03b5\u03c6\u03ad\u03bb\u03b7<\/li>\n
  • \u03a0\u0391\u03a1\u0391\u03a3\u039a\u0395\u03a5\u039f\u03a0\u039f\u03a5\u039b\u039f\u03a5, \u0399. (1994) \u03a8\u03c5\u03c7\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03b1\u03c4\u03bf\u03bc\u03b9\u03ba\u03ce\u03bd \u03b4\u03b9\u03b1\u03c6\u03bf\u03c1\u03ce\u03bd.<\/li>\n
  • \u03a0\u0391\u03a1\u0391\u03a3\u039a\u0395\u03a5\u039f\u03a0\u039f\u03a5\u039b\u039f\u03a5, \u0399. \u0395\u03be\u03b5\u03bb\u03b9\u03ba\u03c4\u03b9\u03ba\u03ae \u03a8\u03c5\u03c7\u03bf\u03bb\u03bf\u03b3\u03af\u03b1.<\/li>\n
  • \u03a0\u03bb\u03ac\u03c4\u03c9\u03bd. \u03a6\u03b1\u03af\u03b4\u03c9\u03bd-\u03a0\u03c1\u03c9\u03c4\u03b1\u03b3\u03cc\u03c1\u03b1\u03c2, \u0399.\u0396\u03b1\u03c7\u03b1\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2-\u0394\u03b1\u03af\u03b4\u03b1\u03bb\u03bf\u03c2.<\/li>\n
  • \u03a0\u03bb\u03ac\u03c4\u03c9\u03bd. \u038a\u03c0\u03c0\u03b1\u03c1\u03c7\u03bf\u03c2-\u0398\u03b5\u03ac\u03b3\u03b7\u03c2-\u03a7\u03b1\u03c1\u03bc\u03af\u03b4\u03b7\u03c2, \u039a\u03ac\u03ba\u03c4\u03bf\u03c2<\/li>\n
  • \u03a0\u039f\u039b\u03a5\u03a7\u03a1\u039f\u039d\u0399\u0391\u0394\u039f\u03a5-\u03a0\u03a1\u0399\u039d\u039f\u03a5, \u039b. (1989) \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03a8\u03c5\u03c7\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b7 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1, \u0398\u03c5\u03bc\u03ac\u03c1\u03b9.<\/li>\n
  • \u03a0\u039f\u03a1\u03a0\u039f\u0394\u0391, \u039a. \u0394. (1997) \u0394\u03c5\u03c3\u03bb\u03b5\u03be\u03af\u03b1-\u0397 \u03b5\u03b9\u03b4\u03b9\u03ba\u03ae \u03b4\u03b9\u03b1\u03c4\u03b1\u03c1\u03b1\u03c7\u03ae \u03c3\u03c4\u03b7 \u03bc\u03ac\u03b8\u03b7\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03b3\u03c1\u03b1\u03c0\u03c4\u03bf\u03cd \u03bb\u03cc\u03b3\u03bf\u03c5, \u039c\u03bf\u03c1\u03c6\u03c9\u03c4\u03b9\u03ba\u03ae.<\/li>\n
  • \u03a3\u0391\u039a\u0391\u039b\u0391\u039a, \u0397. (2004) \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ad\u03c2 \u0392\u03b9\u03c4\u03b1\u03bc\u03af\u03bd\u03b5\u03c2, Fagotto.<\/li>\n
  • \u03a3\u03a5\u039d\u039f\u0394\u0399\u039d\u039f\u03a5, \u039a. (1999) \u039f \u03c0\u03b1\u03b9\u03b4\u03b9\u03ba\u03cc\u03c2 \u03b1\u03c5\u03c4\u03b9\u03c3\u03bc\u03cc\u03c2, \u039a\u03b1\u03c3\u03c4\u03b1\u03bd\u03b9\u03ce\u03c4\u03b7\u03c2.<\/li>\n
  • \u03a4\u039f\u039c\u03a0\u039b\u0395\u03a1, \u039c. (1990) \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395<\/li>\n
  • \u03a4\u039f\u039c\u03a0\u039b\u0395\u03a1, \u039c. (1990) Meyer-Denkmann, G. \u03a0\u03b5\u03b9\u03c1\u03b1\u03bc\u03b1\u03c4\u03b9\u03c3\u03bc\u03bf\u03af \u03c3\u03c4\u03bf\u03bd \u03ae\u03c7\u03bf \u00ab\u03b7\u03c7\u03bf\u03c7\u03c1\u03ce\u03bc\u03b1\u03c4\u03b1\u00bb, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395<\/li>\n
  • \u03a4\u039f\u039c\u03a0\u039b\u0395\u03a1, \u039c. (1991) Wiertsema, H.100 \u03a0\u03b1\u03b9\u03c7\u03bd\u03af\u03b4\u03b9\u03b1 \u03bc\u03b5 \u03ba\u03af\u03bd\u03b7\u03c3\u03b7, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395<\/li>\n
  • \u03a4\u039f\u039c\u03a0\u039b\u0395\u03a1, \u039c. (1991) Storms, G. 100 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac \u03a0\u03b1\u03b9\u03c7\u03bd\u03af\u03b4\u03b9\u03b1, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395<\/li>\n
  • \u03a4\u039f\u039c\u03a0\u039b\u0395\u03a1, \u039c. (2001) \u0389\u03c7\u03c9\u03bd \u03c3\u03c4\u03cc\u03c7\u03c9\u03bd \u03b7\u03c7\u03ce-\u0397 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u03b5\u03b9\u03b4\u03b9\u03ba\u03ae \u03b1\u03b3\u03c9\u03b3\u03ae \u03ba\u03b1\u03b9 \u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b1 , Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395<\/li>\n
  • \u03a4\u039f\u039c\u03a0\u039b\u0395\u03a1, \u039c. (2005) \u03a1\u03b9\u03bd\u03cc\u03ba\u03b5\u03c1\u03bf\u03c2 \u03b5\u03bd\u03b1\u03bd\u03c4\u03af\u03bf\u03bd \u03b5\u03bb\u03ad\u03c6\u03b1\u03bd\u03c4\u03b1, Orpheus-\u039d\u03b9\u03ba\u03bf\u03bb\u03b1\u03ca\u03b4\u03b7\u03c2 & \u03a3\u03b9\u03b1 \u039f.\u0395.<\/li>\n<\/ul>\n

    \u039e\u03b5\u03bd\u03cc\u03b3\u03bb\u03c9\u03c3\u03c3\u03b7 \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1<\/h2>\n
      \n
    • 10th WORLD CONGRESS OF MUSIC THERAPY (2002) Music Therapy in the 21st Century: A Contemporary Force for Change-Book of Abstracts<\/li>\n
    • AIGEN, K. (1997) Here we are in Music-One year with an Adolescent Creative Music Therapy Group, MMB Music Inc<\/li>\n
    • AIGEN, K. (1998) Paths of Development in Nordoff-Robbins Music Therapy, Barcelona Publishers.<\/li>\n
    • ALDRIDGE, D. (1998) Music Therapy In Palliative Care: New Voices, J.K.Publishers.<\/li>\n
    • ALDRIDGE, D. Music Therapy Research and Practice in Medicine-From out of the Silence, Jessica Kingsley Publishers<\/li>\n
    • ALVIN, J. Music Therapy, Stainer & Bell<\/li>\n
    • ANSDELL, G. & PAVLICEVIC, M. (2001) Beginning Research in the Arts Therapies, Jessica Kingsley Publishers<\/li>\n
    • ANSDELL, G. (1995) Music for life: Aspects of Creative Music Therapy with Adult Clients, J.\u039a. Publishers.<\/li>\n
    • ANSDELL, G. ET AL (2001) Presenting the Evidence:A guide for Music Therapists Responding to the demands of clinical effectiveness and evidence-based practice, Nordoff-Robbins Music Therapy Centre.<\/li>\n
    • BARENBOIM, D. & SAID, E. (2003) Parallels and Paradoxes Explorations in Music and Society, Bloomsbury<\/li>\n
    • BOHLMAN, P. (2002) World Music. A very short introduction, Oxford University Press.<\/li>\n
    • BRITISH JOURNAL OF MUSIC THERAPY Vol 14 (1) Vol 15 (1-2) Vol 16 (1), Adept Press<\/li>\n
    • BRUSCIA, K. (1996) Case Studies In Music Therapy, Barcelona Publishers.<\/li>\n
    • BUNT, L. & HOSKYNS, S. (2002) The Handbook of Music Therapy, Brunner – Routledge<\/li>\n
    • COOK, N. (1998) Music. A very short introduction, Oxford University Press<\/li>\n
    • DARNLEY-SMITH, R. & PATEY, H.M. (2003) Music Therapy (Creative therapies in practice S.), Sage Publications.<\/li>\n
    • FARREL, E. (1977) The complete guide to mental health, Vermilion<\/li>\n
    • FROUDAKI, M. (2002) Music Therapy and Music Education in Special School Settings: Are they compatible?, Nordoff-Robbins Music Therapy Centre, Unpublished Disssertation.<\/li>\n
    • GILLHAM, B. (2000) Developing a Questionnaire, Continuum<\/li>\n
    • GILLHAM, B. (2000) The research interview, Continuum<\/li>\n
    • GILROY, A. & LEE, C. (1994)\u00a0 Art and Music Therapy and Research, Routlege Ltd<\/li>\n
    • GRDINGER, K. (1999) Returning to the Musical Experience: Phenomenological Anlysis as a tool for investigating Creative Music Therapy Improvisation, Nordoff-Robbins Master of M.T<\/li>\n
    • HADLEY, S. (2003) Psychodynamic Music Therapy:Case-Studies, Barcelona Publishers<\/li>\n
    • HEALTH PROFESSIONS COUNCIL (2003) Standards of proficiency: Arts Therapists, Hpc.<\/li>\n
    • HENNEZEL, M. (1997) Intimate Death, Warner Books<\/li>\n
    • HIBBEN, J. (1999) Inside Music Therapy \u2013 Client Experiences, Barcelona Publishers<\/li>\n
    • HIGGINS, R. (1993) Approaches to Case-Study. A handbook for those entering the therapeutic field, Jessica Kingsley Publishers<\/li>\n
    • HILLMAN BOXILL, E. (1985) Music Therapy for the developmentally disabled, Pro-Ed.<\/li>\n
    • KUTCHINS, H. & KIRK, S.A. Making us crazy, Constable<\/li>\n
    • LEAR, R. (1977) Play helps-Toys and activities for Handicapped children, W.Heinemann Medical Books Ltd.<\/li>\n
    • LLOYD, P. (2003) Dissertation: An evaluation of the educational benefits of Music Therapy for pupils with severe learning difficulties, with particular reference to the development of communication and language, School of Education, The University of Birmingham.<\/li>\n
    • LOEWENTHAL, K. (2000) The psychology o Religion, Oneworld<\/li>\n
    • MASTER OF MUSIC THERAPY (NORDOFF-ROBBINS) (2001-2002) Curriculum Document\u00a0 (Year One-Two),Validation Document, Information Booklet (Year One), City University<\/li>\n
    • NORDOFF, P. & ROBBINS, C. (1975) Music Therapy In Special Education, Macd & Evans. Ltd.<\/li>\n
    • NORDOFF, P. & ROBBINS, C. (1978) Creative Music Therapy, J. Day NY.<\/li>\n
    • NORDOFF, P. & ROBBINS, C. (1992) Therapy in Music for Handicapped Children, Victor Gollancz Ltd.<\/li>\n
    • NORDOFF, P. & ROBBINS, C. (1998) Healing Heritage: Paul Nordoff exploring the tonal language of Music, Barcelona Publishers.<\/li>\n
    • OGDEN, J.A. (1996) Fractured Minds-A case-study approach to clinical Neuropsychology, Oxford University Press.<\/li>\n
    • PAVLICEVIC, M. (1999) Music Therapy-Intimate Notes, Jessica Kingsley Publishers<\/li>\n
    • PAVLICEVIC, M. & ANSDELL, G. (2004) Community Music Therapy, J.K. Publishers<\/li>\n
    • PAVLICEVIC, M. (1997) Music Therapy in context: Music. Meaning and Relationship, Jessica Kingsley Publishers<\/li>\n
    • PAVLICEVIC, M. (2003) Groups in Music Strategies from Music Therapy, JKP.<\/li>\n
    • READ, J. & REYNOLDS, J. Speaking our minds-An anthology, The Open University<\/li>\n
    • REBOLLO PRATT, R. (1993) Music Therapy and Music Education for the Handicapped, MMB Music Inc.<\/li>\n
    • SANDERSON, R. (1998) Creative Music Therapy with the terminally ill. Exploring a Diversity of Practice, Nordoff-Robbins Master of M.T<\/li>\n
    • SHERIDAN, M.D. (1999) Play in Early Childhood, Routlege<\/li>\n
    • SMADJA, C. (2005) The Psychosomatic Paradox, Free Association Books<\/li>\n
    • STANDLEY , J. (1991) Music Techniques in Therapy, Counseling and Special Education, MMB Music Inc<\/li>\n
    • SWANWICK, K. (1979)\u00a0 A basis for Music Education, NFER Publishing Company<\/li>\n
    • TOMAINO, C. (1998) Clinical Applications of Music in Neurological Rehabilitation, MMB Music Inc.<\/li>\n<\/ul>\n

      \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1<\/h2>\n
        \n
      • NORDOFF, P. & ROBBINS, C. (1995) Greetings and Good-byes, Theodore Presser Company<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1968) Fun for four drums: a rhythmic game for children with four drums, piano, and a song Theodore Presser Company<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1962) First book of Children\u2019s Play-songs, Theodore Presser Company<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1968) Second\u00a0 book of Children\u2019s Play-songs, Theodore Presser Company<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1980) Third-Fourth-Fifth book of Children\u2019s Play-songs, Theodore Presser Company<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1987) Some Prayers from the Ark, Theodore Presser Company.<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1969) Pif-Paf Poltrie- a musical working game for children, Theodore Presser Company.<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1966) The three bears, A musical Adventure for an Orchestra and Chorus of Young Children, Story-Teller and Piano, Theodore Presser Company.<\/li>\n
      • NORDOFF, P. & ROBBINS, C. (1957) The Frog Prince, American Music Edition<\/li>\n
      • LEVIN, H. & LEVIN, G. (1998) Learning through music, Barcelona Publishers.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

        \u03a4\u03b1 \u03c0\u03b1\u03c1\u03b1\u03ba\u03ac\u03c4\u03c9 \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03bc\u03c0\u03bf\u03c1\u03b5\u03af\u03c4\u03b5 \u03bd\u03b1 \u03b2\u03c1\u03b5\u03af\u03c4\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03b8\u03ae\u03ba\u03b7 \u03bc\u03b1\u03c2: \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 (2002-2003) \u039f\u03b4\u03b7\u03b3\u03cc\u03c2 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7\u03c2 \u0398\u03b5\u03c1\u03b1\u03c0\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 (\u0395\u03c4\u03ae\u03c3\u03b9\u03b1 \u03ad\u03ba\u03b4\u03bf\u03c3\u03b7 \u03b3\u03b9\u03b1 \u03c4\u03b9\u03c2 \u03ae\u03c0\u03b9\u03b5\u03c2 \u03b5\u03bd\u03b1\u03bb\u03bb\u03b1\u03ba\u03c4\u03b9\u03ba\u03ad\u03c2 \u03c3\u03c5\u03bc\u03c0\u03bb\u03b7\u03c1\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ad\u03c2 \u03b8\u03b5\u03c1\u03b1\u03c0\u03b5\u03af\u03b5\u03c2, Medicum. ADORNO, TH. (2000) \u0391\u03b9\u03c3\u03b8\u03b7\u03c4\u03b9\u03ba\u03ae \u03b8\u03b5\u03c9\u03c1\u03af\u03b1, \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1. APPLETON, R. et al. (1998) \u0395\u03c0\u03b9\u03bb\u03b7\u03c8\u03af\u03b1, \u0392\u03b1\u03b3\u03b9\u03bf\u03bd\u03ac\u03ba\u03b7\u03c2 BEAN, J. & OLDFIELD, A. (2006) \u039c\u03b1\u03b3\u03b9\u03ba\u03cc\u03c2 \u0391\u03c5\u03bb\u03cc\u03c2 \u2013\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ad\u03c2 \u03b4\u03c1\u03b1\u03c3\u03c4\u03b7\u03c1\u03b9\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03b1\u03bd\u03ac\u03c0\u03c4\u03c5\u03be\u03b7 \u03b2\u03b1\u03c3\u03b9\u03ba\u03ce\u03bd \u03b4\u03b5\u03be\u03b9\u03bf\u03c4\u03ae\u03c4\u03c9\u03bd, \u039d\u03ae\u03c3\u03bf\u03c2 BINNIKOT, N. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":33,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/pages\/139"}],"collection":[{"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musicing.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=139"}],"version-history":[{"count":8,"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/pages\/139\/revisions"}],"predecessor-version":[{"id":326,"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/pages\/139\/revisions\/326"}],"up":[{"embeddable":true,"href":"https:\/\/musicing.gr\/index.php?rest_route=\/wp\/v2\/pages\/33"}],"wp:attachment":[{"href":"https:\/\/musicing.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}